On science, religion, Brahmins and a book

I’m partway through Renny Thomas’s new book, Science and Religion in India: Beyond Disenchantment. Its description on the Routledge page reads:

This book provides an in-depth ethnographic study of science and religion in the context of South Asia, giving voice to Indian scientists and shedding valuable light on their engagement with religion. Drawing on biographical, autobiographical, historical, and ethnographic material, the volume focuses on scientists’ religious life and practices, and the variety of ways in which they express them. Renny Thomas challenges the idea that science and religion in India are naturally connected and argues that the discussion has to go beyond binary models of ‘conflict’ and ‘complementarity’. By complicating the understanding of science and religion in India, the book engages with new ways of looking at these categories.

To be fair to Renny as well as to prospective readers, I’m hardly familiar with scholarship in this area of study and in no position to be able to confidently critique the book’s arguments. I’m reading it to learn. With this caveat out of the way…

I’ve been somewhat familiar with Renny’s work and my expectation of his new book to be informative and insightful has been more than met. I like two things in particular based on the approximately 40% I’ve read so far (and not necessarily from the beginning). First, Science and Religion quotes scientists with whom Renny spoke to glean insights generously. A very wise man told me recently that in most cases, it’s possible to get the gist of (non-fiction) books written by research scholars and focusing on their areas of work just by reading the introductory chapter. I think this book may be the exception that makes the rule for me. On occasion Renny also quotes from books by other scientists and scholars to make his point, which I say to imply that for readers like me, who are interested in but haven’t had the chance to formally study these topics, Science and Religion can be a sort of introductory text as well.

For example, in one place, Renny quotes some 150 words from Raja Ramanna’s autobiography, where the latter – a distinguished physicist and one of the more prominent endorsers of the famous 1981 ‘statement on scientific temper’ – recalls in spirited fashion his visit to Gangotri. The passage reminded me of an article by American historian of science Daniel Sarewitz published many years ago, in which he described his experience of walking through the Angkor Wat temple complex in Cambodia. I like to credit Sarewitz’s non-academic articles for getting me interested in the sociology of science, especially critiques of science as a “secularising medium”, to use Renny’s words, but I have also been guilty of having entered this space of thought and writing through accounts of spiritual experiences written by scientists from countries other than India. But now, thanks to Science and Religion, I have the beginnings of a resolution.

Second, the book’s language is extremely readable: undergraduate students who are enthusiastic about science should be able to read it for pleasure (and I hope students of science and engineering do). I myself was interested in reading it because I’ve wanted, and still want, to understand what goes on in the minds of people like ISRO chairman K. Sivan when they insist on visiting Tirupati before every major rocket launch. And Renny clarifies his awareness of these basic curiosities early in the book:

… scientists continue to be the ‘special’ folk in India. It is this image of ‘special’ folk and science’s alleged relationship with ‘objectivity’ which makes people uneasy when scientists go to temple, engage in prayer, and openly declare their allegiance to religious beliefs. The dominance and power of science and its status as a superior epistemology is part of the popular imagination. The continuing media discussion on ISRO (Indian Space Research Organisation) scientists when they offer prayer before any mission is an example.

Renny also clarifies the religious and caste composition of his interlocutors at the outset as well as dedicates a chapter to discussing the ways in which caste and religious identities present themselves in laboratory settings, and the ways in which they’re acknowledged and dismissed – but mostly dismissed. An awareness of caste and religion is also important to understand the Sivan question, according to Science and Religion. Nearly midway through the book, Renny discusses a “strategic adjustment” among scientists that allows them to practice science and believe in gods “without revealing the apparent contradictions between the two”. Here, one scientist identifies one of the origins of religious belief in an individual to be their “cultural upbringing”; but later in the book, in conversations with Brahmin scientists (and partly in the context of an implicit belief that the practice of science is vouchsafed for Brahmins in India), Renny reveals that they don’t distinguish between cultural and religious practices. For example, scientists who claim to be staunch atheists are also strict vegetarians, don the ‘holy thread’ and, most tellingly for me, insist on getting their sons and daughters married off to people belonging to the same caste.

They argued that they visited temples and pilgrimage centres not for worship but out of an architectural and aesthetic interest, to marvel at the architectural beauty. As Indians, they are proud of these historical places and pilgrimage centres. They happily invite their guests from other countries to these places with a sense of pride and historicity. Some of the atheist scientists I spoke to informed me that they would offer puja and seek darshan while visiting the temples and historically relevant pilgrimage places, especially when they go with their family; “to make them happy.” They argued that they wouldn’t question the religious beliefs and practices of others and professed that it was a personal choice to be religious or non-religious. They also felt that religion and belief in God provided psychological succor to believers in their hardships and one should not oppose them. Many of the atheist scientists think that festivals such as Diwali or Ayudha Puja are cultural events.

In their worldview, the distinction between religion and culture has dissolved – and which clearly emphasises the importance of considering the placedness of science just as much as we consider the placedness of religion. By way of example, Science and Religion finds both religion and science at work in laboratories, but en route it also discovers that to do science in certain parts of India – but especially South India, where many of the scientists in his book are located – is to do science in a particular milieu distorted by caste: here, the “lifeworld” is to Brahmins as water is to fish. Perhaps this is how Sivan thinks, too,although he is likely to be performing the subsequent rituals more passively, and deliberately and in self-interest, assuming he seeks his sense of his social standing based on and his deservingness of social support from the wider community of fellow Brahmins: that we must pray and make some offerings to god because that’s how we always did it growing up.

At least, these are my preliminary thoughts. I’m looking forward to finishing Science and Religion this month (I’m a slow reader) and looking forward to learning more in the process.

Life, distilled.

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Book review: A Ball of Fire, John Montague (Bloomsbury, Rs. 299)

When Gwendolyn Brooks remarked that poetry was “life distilled”, she may have overlooked John Montague and his collection of short stories, A Ball of Fire, which, true to its name, comes alive in “a smothered explosion of color”. Using tight poetic prose that is still conversational and a rhetorical diction evocative of Yeats, Montague does not need the sustained tension of a full novel to make you mourn an actor when he dies; five pages will suffice.

Born in Depression-era Brooklyn to a father he can’t recall, separated from his siblings four years later and sent to an Irish farmhouse to live with his aunts, losing his mother young but knowing a string of lovely ladies through his college and teaching days in the 1960s and 1970s, ultimately marrying thrice, all the time grappling with the meaning of rebellion, sex and identity, Montague’s experiences show in his writing.

In many stories, there is a boy, a young man, a traveler or an unhappy old man constantly placed in a situation he hasn’t been in before, still doused in desires he left the cradle with. There is always a quest, too — to know what love can be devoid of sex, what history can be bereft of adventure, what death can be in the absence of life … most exemplified in the collection’s three longer pieces, The Lost Notebook, Death of a Chieftain and Three Last Things respectively, all constructed in fine detail with a masterful understanding of human nature.

In fact, The Lost Notebook overshadows all the stories that follow, except perhaps Three Last Things, with its portrayal of two characters’ groping exploration of freedom and immortality while still trapped in their adolescent visions of grandeur. Using the first person, Montague draws attention to a young Irish poet touring Paris during a summer when he meets a troubled young American woman, and there begins a petulant affair. As he fumbles in bed so does she fumble with her aspirations to be a painter. The metaphors in it are everything from sumptuous to galling – in sharp contrast to the more languorous yet still ambitious Death of a Chieftain — as the couple explores Paris, its museums, their paintings and sculptures, its tradition-laden streets brimming with opportunities for each to discover more about the other.

Despite the suggestion that sexual maturity has much to do with its artistic counterpart, the author keeps reminding you that they aren’t simply spanned by yearning. In fact, he often seems to reflect that the only true freedom that can be experienced in between birth and death is to be found in the bedroom. Montague alludes to this opinion in the ultimate Three Last Things, a profound meditation on what death could mean simply by virtue of being the end of a lifetime.

The other, shorter pieces are remarkable too, but just not as spectacular. A personal favorite is A Love Present, a story of a young boy who finds love residing in the proverbial last place that he’s looking, but still written with a warm conviction that makes you want to relive the episode. Another such tale is Sugarbush, I Love You So.

Ball of Fire holds you with stories that start and end similarly but leave you with hard-earned insights that soothe. The reader is bound to chance upon moments frothing with just the same emotions you remember experiencing in similar instances from your life. To this end, and in the company of Montague’s poetic penmanship, the book is unforgettable.

*

I wrote this for The Hindu Literary Review under the title ‘Life distilled’. It was published online on August 3, 2013.

Tragedy, over and over.

This book review, as written by me, appeared in The Hindu Literary Review on April 6, 2013.

Chernobyl is in the past. Well, it’s definitely easy to look at it that way when you think of what you’ve been told happened. On April 26, 1986, an experiment at the Chernobyl nuclear power plant, then in the Soviet Union, now in northern Ukraine, went awry and caused an explosion and a fire that lasted several days.

Radioactive plumes billowed a kilometre into the sky, and the lands and water in the vicinity were poisoned with toxins that wouldn’t just kill you and then call it a day. They could last for generations, maiming your children and your grandchildren in horrible ways. All you would have to do was inhale the dust, ingest the poisoned food. Even so, it was more than a day later that the 67,000 residents of the nearby settlement of Pripjat were evacuated.

But within the folds of each minute that Pripjat wondered what was going on, why the streams were turning yellow, why the clouds were turning grey, why there were so many trucks moving in and out of Chernobyl, the atoms had connived to work their way into the town’s eyes and ears and noses, bringing on a silence worn well by Ingrid Storholmen’s Voices From Chernobyl.

The radioactivity didn’t just shut down a power plant or blank out an area on the map for habitation. As Storholmen describes it, it killed the fishes, accumulated in their bodies, and then killed the bigger fish that would soon eat them. It stoked to life not the pain of disfigurement, which can be forgotten, but the realisation that it could be perpetrated so easily. It seeped into the soil and blighted the harvest; it infected the trees and wilted the forest.

The breadth of experiences that the voices in the book draw from is remarkable. There are children, and men and women. Then, there are the animals and the trees. Each one is dying or caring for someone or something about to. Autobiographic stories strike the stronger note. On the downside, there are only a few of them, bundled up and preserved as they are for the longer journey after death.

Storholmen’s writing, as such, is commendable. She employs a simple style. She must. What she has been actually wise to do, however, is to let her retelling participate in the confusion that followed the disaster, when mutation-induced paranoia was no different from the harsh calls of a burning reality. The result is a quick alternation between indifference and visceralness that leaves you feeling like you were a helpless witness.

The worst property of the book is that it has no cadence. It simply moves on from one story to the next, like an instruction manual but one careful enough to be doused in tragedy — whether of the body or of the mind. Pripjat must have been horrible, an eidolon of its former self, its beauty reduced to the witness of sunken eyes, but the book does well to paint this picture in the first 40 pages.

The rest simply requires conviction on the reader’s part that the only way to immortalise the horror of a nuclear winter is to read about it again and again. After page 41, Voices From Chernobyl is a litany.

storholmenThe best is that it reminds you that the essence of the disaster lies in nature’s decision to recede from humanity, to yield no more boar or elk meat that sustained human needs. The author starts in media res; there is no introduction because its patience would have mocked at the desperation among the town’s residents to find nature again, and in the meantime to write off their identities as a sacrifice, that they chewed, swallowed and thwarted something that a traitorous human industry had churned up: The pianist who shovelled away uranium bricks from around the reactor, the volunteers who conducted safety inspections as the fire blazed, the championess who dived into heavy water and accidentally swallowed some…

But as the woman’s face dissolved, as the pianist’s fingers started to rot, as the volunteers’ screams punctuated the cacophony of disaster, the dead had moved on. If the book had done the same a little quicker Ingrid Storholmen’s would have been a name to remember.

Check out ‘Voices from Chernobyl’ from Flipkart.com

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