Tag: frugal innovation

Review: ‘Mission Mangal’ (2019)

This review assumes Tanul Thakur’s review as a preamble.

There’s the argument that ISRO isn’t doing much by way of public outreach and trust in the media is at a low, and for many people – more than the most reliable sections of the media can possibly cover – Bollywood’s Mission Mangal could be the gateway to the Indian space programme. That we shouldn’t dump on the makers of Mission Mangal for setting up an ISRO-based script and Bollywoodifying it because the prerogative is theirs and it is not a mistake to have fictionalised bits of a story that was inspirational in less sensationalist ways.

And then there is the argument that Bollywood doesn’t function in a vacuum – indeed, anything but – and that it should respond responsibly to society’s problems by ensuring its biographical fare, at least, maintains a safe distance from problematic sociopolitical attitudes. That while creative freedom absolves artists of the responsibility to be historians, there’s such a thing as not making things worse, especially through an exercise of the poetic license that is less art and more commerce.

The question is: which position does Mission Mangal justify over the other?

I went into the cinema hall fully expecting the movie to be shite, but truth be told, Mission Mangal hangs in a trishanku swarga between the worlds of ‘not bad’ and ‘good’. The good parts don’t excuse the bad parts and the bad parts don’t drag the good parts down with them. To understand how, let’s start with the line between fact and fiction.

Mission Mangal‘s science communication is pretty good. As a result of the movie’s existence, thousands more people know about the gravitational slingshot (although the puri analogy did get a bit strained), line-of-sight signal transmission, solar-sailing and orbital capture now. Thousands more kind-of know the sort of questions scientists and engineers have to grapple with when designing and executing missions, although it would pay to remain wary of oversimplification. Indeed, thousands more also know – hopefully, at least – why some journalists’ rush to find and pin blame at the first hint of failure seems more rabid than stringent. This much is good.

However, almost everyone I managed to eavesdrop on believed the whole movie to be true whereas the movie’s own disclaimer at the start clarified that the movie was a fictionalised account for entertainment only. This is a problem because Mission Mangal also gets its science wrong in many places, almost always for dramatic effect. For just four examples: the PSLV is shown as a two-stage rocket instead of as a four-stage rocket; the Van Allen belt is depicted as a debris field instead of as a radiation belt; solar radiation pressure didn’t propel the Mars Orbiter Mission probe on its interplanetary journey; and its high-gain antenna isn’t made of a self-healing material.

More importantly, Mission Mangal gets the arguably more important circumstances surrounding the science all wrong. This is potentially more damaging.

There’s a lot of popular interest in space stuff in India these days. One big reason is that ISRO has undertaken a clump of high-profile missions that have made for easy mass communication. For example, it’s easier to sell why Chandrayaan 2 is awesome than to sell the AstroSat or the PSLV’s fourth-stage orbital platform. However, Mission Mangal sells the Mars Orbiter Mission by fictionalising different things about it to the point of being comically nationalistic.

The NASA hangover is unmistakable and unmistakably terrible. Mission Mangal‘s villain, so to speak, is a senior scientist of Indian origin from NASA who doesn’t want the Mars Orbiter Mission to succeed – so much so that the narrative often comes dangerously close to justifying the mission in terms of showing this man up. In fact, there are two instances when the movie brazenly crosses the line: to show up NASA Man, and once where the mission is rejustified in terms of beating China to be the first Asian country to have a probe in orbit around Mars. This takes away from the mission’s actual purpose: to be a technology-demonstrator, period.

This brings us to the next issue. Mission Mangal swings like a pendulum between characterising the mission as one of science and as one of technology. The film’s scriptwriters possibly conflated the satellite design and rocket launch teams for simplicity’s sake, but that has also meant Mission Mangal often pays an inordinate amount of attention towards the mission’s science goals, which weren’t very serious to begin with.

This is a problem because it’s important to remember that the Mars Orbiter Mission wasn’t a scientific mission. This also shows itself when the narrative quietly, and successfully, glosses over the fact that the mission probe was designed to fit a smaller rocket, and whose launch was undertaken at the behest of political as much as technological interests, instead of engineers building the rocket around the payload, as might have been the case if this had been a scientific mission.

Future scientific missions need to set a higher bar about what they’re prepared to accomplish – something many of us easily forget in the urge to thump our chests over the low cost. Indeed, Mission Mangal celebrates this as well without once mentioning the idea of frugal engineering, and all this accomplishes is to cast us as a people who make do, and our space programme as not hungering for big budgets.

This, in turn, brings us to the third issue. What kind of people are we? What is this compulsion to go it alone, and what is this specious sense of shame about borrowing technologies and mission designs from other countries that have undertaken these missions before us? ‘Make in India’ may make sense with sectors like manufacturing or fabrication but whence the need to vilify asking for a bit of help? Mission Mangal takes this a step further when the idea to use a plastic-aluminium composite for the satellite bus is traced to a moment of inspiration: that ISRO could help save the planet by using up its plastic. It shouldn’t have to be so hard to be a taker, considering ISRO did have NASA’s help in real-life, but the movie precludes such opportunities by erecting NASA as ISRO’s enemy.

But here’s the thing: When the Mars Orbiter Mission probe achieved orbital capture at Mars at the film’s climax, it felt great and not in a jingoistic way, at least not obviously so. I wasn’t following the lyrics of the background track and I have been feeling this way about missions long before the film came along, but it wouldn’t be amiss to say the film succeeded on this count.

It’s hard to judge Mission Mangal by adding points for the things it got right and subtracting points for the things it didn’t because, holistically, I am unable to shake off the feeling that I am glad this movie got made, at least from the PoV of a mediaperson that frequently reports on the Indian space progragge. Mission Mangal is a good romp, thanks in no small part to Vidya Balan (and as Pradeep Mohandas pointed out in his review, no thanks to the scriptwriters’ as well as Akshay Kumar’s mangled portrayal of how a scientist at ISRO behaves.)

I’m sure there’s lots to be said for the depiction of its crew of female scientists as well but I will defer to the judgment of smarter people on this one. For example, Rajvi Desai’s review in The Swaddle notes that the women scientists in the film, with the exception of Balan, are only shown doing superfluous things while Kumar gets to have all the smart ideas. Tanisha Bagchi writes in The Quint that the film has its women fighting ludicrous battles in an effort to portray them as being strong.

Ultimately, Mission Mangal wouldn’t have been made if not for the nationalism surrounding it – the nationalism bestowed of late upon the Indian space programme by Prime Minister Narendra Modi and the profitability bestowed upon nationalism by the business-politics nexus. It is a mess but – without playing down its problematic portrayal of women and scientists – the film is hardly the worst thing to come of it.

In fact, if you are yet to watch the film but are going to, try imagining you are in the late 1990s and that Mission Mangal is a half-gritty, endearing-in-parts sci-fi flick about a bunch of Hindi-speaking people in Bangalore trying to launch a probe to Mars. However, if you – like me – are unable to leave reality behind, watch it, enjoy it, and then fact-check it.

Miscellaneous remarks

  1. Mission Mangal frequently attempts to assuage the audience that it doesn’t glorify Hinduism but these overtures are feeble compared to the presence of a pundit performing religious rituals within the Mission Control Centre itself. Make no mistake, this is a Hindu film.
  2. Akshay Kumar makes a not-so-eccentric entrance but there is a noticeable quirk about him that draws the following remark from a colleague: “These genius scientists are always a little crazy.” It made me sit up because these exact words have been used to exonerate the actions of scientists who sexually harassed women – all the way from Richard Feynman (by no means the first) to Lawrence Krauss (by no means the last).

For space, frugality is a harmful aspiration

Ref:

‘ISRO’s Chandrayaan-2 mission to cost lesser than Hollywood movie Interstellar – here’s how they make it cost-effective’, staff, Moneycontrol, February 20, 2018. ∞

‘Chandrayaan-2 mission cheaper than Hollywood film Interstellar’, Surendra Singh, Times of India, February 20, 2018. ∞

The following statements from the Moneycontrol and Times of India articles have no meaning:

  1. The cost of ISRO’s Mars Orbiter Mission was less than the production cost of the film Gravity.
  2. The cost of ISRO’s Chandrayaan 2 mission is expected to be less than the production cost of the film Interstellar.

It’s like saying the angular momentum of a frog is lower than the speed of light. “But of course,” you’re going to say, “we’re comparing angular momentum to speed – they have different dimensions”. Well, the production cost of a film and mission costs also have different dimensions if you cared to look beyond the ‘$’ prefix. That’s because you can’t just pick up two dollar figures, decide which one’s lower and feel good about that without any social and economic context.

For example, what explains the choice of films to compare mission costs to? Is it because Gravity and Interstellar were both set in space? Is it because both films are fairly famous? Is it also because both films were released recently? Or is it because they offered convenient numbers? It’s probably the last one because there’s no reason otherwise to have picked these two films over, say, After Earth, Elysium, The Martian, Independence Day: Resurgence or Alien: Covenant – all of which were set in space AND cost less to make than Interstellar.

So I suspect it would be equally fair to say that the cost of C’yaan 2 is more than the budget of After Earth, Elysium, The Martian, Independence Day: Resurgence or Alien: Covenant. But few are going to spin it like this because of two reasons:

  1. The cost of anything has to be a rational, positive number, so saying cost(Y) is less than cost(X) would imply that cost(X) > cost(Y) ≥ 0; however, saying cost(Y) is greater than cost(X) doesn’t give us any real sense of what cost(Y) could be because it could approach ∞ or…
  2. Make cost (Y) feel like it’s gigantic, often because your reader assumes cost(Y) should be compared to cost(X) simply because you’ve done so

Now, what comparing C’yaan 2’s cost to that of making Interstellar achieves very well is a sense of the magnitude of the number involved. It’s an excellent associative mnemonic that will likely ensure you don’t forget how much C’yaan 2 cost – except you’d also have to know how much Interstellar cost. Without this bit of the statement, you have one equation and two variables, a.k.a. an unsolvable problem.

Additionally, journalists don’t use such comparisons in other beats. For example, when the Union budget was announced on February 1 this year, nobody was comparing anything to the production costs of assets that had a high cultural cachet. Rs 12.5 crore was Rs 12.5 crore; it was not framed as “India spends less on annual scholarships for students with disabilities than it cost to make Kabali“.

This suggests that such comparisons are reserved by some journalists for matters of space, which in turn raises the possibility that those journalists, and their bosses, organisations and readers, are prompted to think of costs in the space sector as something that must always be brought down. This is where this belief becomes pernicious: it assumes a life of its own. It shouldn’t. Lowering costs becomes a priority only after scientists and engineers have checked tens, possibly hundreds, of other boxes. Using only dollar figures to represent this effort mischaracterises it as simply being an exercise in cost reduction.

So, (risking repetition:) comparing a mission cost to a movie budget tells us absolutely nothing of meaning or value. Thanks to how Moneycontrol’s phrased it, all I know now is that C’yaan 2 is going to cost less than $165 million to make. Why not just say that and walk away? (While one could compare $165 million to mission costs at other space agencies, ISRO chief K. Sivan has advised against it; if one wants to compare it to other PSUs in India, I would advise against it.) The need to bring Interstellar into this, of course, is because we’ve got to show up the West.

And once we’re done showing up the West, we still have to keep. Showing up. The West. Because we’re obsessed with what white people do in first-world countries. If we didn’t have them to show up, who knows, we’d have framed ISRO news differently already because we’d have been able to see $165 million for what it is: a dimensionless number beyond the ‘$’ prefix. Without any other details about C’yaan 2 itself, it’s pretty fucking meaningless.

Please don’t celebrate frugality. It’s an unbecoming tag for any space programme. ISRO may have been successful in keeping costs down but, in the long run, the numbers will definitely go up. Frugality is a harmful aspiration vis-à-vis a sector banking on reliability and redundancy. And for fuck’s sake, never compare: the act of it creates just the wrong ideas about what space agencies are doing, what they’re supposed to be doing and how they’re doing it. For example, consider Sivan’s answer when asked by a Times of India reporter as to how ISRO kept its costs down:

Simplifying the system, miniaturising the complex big system, strict quality control and maximising output from a product, make the missions of Indian space agency cost-effective. We keep strict vigil on each and every stage of development of a spacecraft or a rocket and, therefore, we are able to avoid wastage of products, which helps us minimise the mission cost.

If I didn’t know Sivan was saying this, I’d have thought it was techno-managerial babble from Dilbert (maybe with the exception of QC). More importantly, Sivan doesn’t say here what ISRO is doing differently from other space agencies (such as, say, accessing cheaper labour), which is what would matter when you’re rearing to go “neener neener” at NASA/ESA, but sticks to talking about what everyone already does. Do you think NASA and ESA waste products? Do they not remain vigilant during each and every stage of development? Do they not have robust QC standards and enforcement regimes?

Notice here that Sivan isn’t saying “we’re doing it cheaper than others”, only that doing these things keeps the space agency “cost-effective”. Cost-effective is not the same as frugal.

Featured image: The Moon impact probe that went up on the PSLV C11 mission along with Chandrayaan 1. Credit: ISRO.