Psych of Science: Hello World

Hello, world. 🙂 I’m filing this post under a new category on Is Nerd called Psych of Science. A dull name but it’ll do. This category will host my personal reflections on the science in the stories I’ve written or read and, more importantly, of the people in those stories.

I decided to create this category after the Social Psychology replications incident. While it was not a seminal episode, reading and understanding the kind of issues faced by authors of the original paper and the replicators really got me thinking about the psychology of science. It wasn’t an eye-opening incident but I was surprised by how interested I was in how the conversation was going to play out.

Admittedly, I’m a lousy people person, and that especially comes across in my writing. I’ve always been interested in understanding how things work, not how people work. This is a discrepancy I hope will be fixed during my stint at NYU, which I’m slated to attend this fall (2014). In the meantime, and after if I get the time, I’ll leave my reflections here, and you’re welcome to add to it, too.

Forget me. I’m there.

You don’t have to walk up to stand next to me, you don’t have to hug me. You don’t have to want to kiss me. You just have to look at me in the eye, Stranger, when you walk past. You needn’t smile either. You just have to acknowledge that I exist. That’s all I need.

You just have to drive your car in front of mine and switch on your indicator when you’re taking a turn. Even if there’s no other car on the road except ours and it’s dusk. Turn on your indicator all for me and I’m yours. Tell me you’re closing up for the day just when I’m about to step in your store. Don’t bring the shutters down on my face without a warning. Tell me you’re sorry without meaning it but just because I’m there about to enter your store. Tell me and I’m all yours.

Share an umbrella with your friend when it rains and whisper into her ear about how I’m getting wet, standing in the middle of the road like that. Giggle behind my back about the fool I look and I will thank you. Be annoyed when I set my glass of orange juice on your glass table without a coaster and I’ll know you know I’m here.

Fix the automated doors at the mall to open when I’m approaching them and I will kiss one goodbye. Flash a marquee on the TV asking me to stay indoors because a storm’s coming and I’ll die happy that night. Give me a dial tone when I pick up the phone because I don’t want you to assume nobody’s listening. Somebody’s listening, somebody’s listening all the time. I think that’s me.

So… don’t walk up to me to shake my hand. Don’t bump into me and then act like you’ve forgotten me. Forget me, but when you see me, smile.

The common tragedy

I have never been able to fathom poetry. Not because it’s unensnarable—which it annoyingly is—but because it never seems to touch upon that all-encompassing nerve of human endeavour supposedly running through our blood, transcending cultures and time and space. Is there a common trouble that we all share? Is there a common tragedy that is not death that we all quietly await that so many claim is described by poetry?

I, for one, think that that thread of shared memory is lost, forever leaving the feeble grasp of our comprehension. In fact, I believe that there is more to be shared, more to be found that will speak to the mind’s innermost voices, in a lonely moment of self-doubting. Away from a larger freedom, a “shared freedom”, we now reside in a larger prison, an invisible cell that assumes various shapes and sizes.

Sometimes, it’s in your throat, blocking your words from surfacing. Sometimes, it has your skull in a death-grip, suffocating all thoughts. Sometimes, it holds your feet to the ground and keeps you from flying, or sticks your fingers in your ears and never lets you hear what you might want to hear. Sometimes, it’s a cock in a cunt, a blade against your nerves, a catch on your side, a tapeworm in your intestines, or that cold sensation that kills wet dreams.

Today, now, this moment, the smallest of freedoms, the freedoms that belong to us alone, are what everyone shares, what everyone experiences. It’s simply an individuation of an idea, rather a belief, and the truth of that admission—peppered as it is with much doubt—makes us hold on more tightly to it. And as much as we partake of that individuation, like little gluons that emit gluons, we inspire more to pop into existence.

Within the confines of each small freedom, we live in worlds of our own fashioning. Poetry is, to me, the voice of those worlds. It is the resultant voice, counter-resolved into one expression of will and intention and sensation, that cannot, in turn, be broken down into one man or one woman, but only into whole histories that have bred them. Poetry is, to me, no longer a contiguous spectrum of pandered hormones or a conflict-indulged struggle, but an admission of self-doubt.